#DOOM THEME FULL#

Uses the ambient intro from 'The Imp's Song'.Ĭontains a short arrangement of 'Waltz of the Demons' and a brief sample of the classic BFG at the very end.

When the audio is transposed up by 36 semitones, Olivia can be heard to say her final line of dialogue from the Foundry, 'You could not have saved them anyway.' Contains an Easter egg in its spectrogram showing the number 36.

#DOOM THEME FULL#

The main riff is played using synthesized chainsaw sounds.Ī full rendition of 'Suspense'.

The soundtrack is rife with allusions to the previous games of the Doom series, including material adapted from Bobby Prince's original Doom and Doom II soundtracks, and the main theme from Doom 3.Īn extended arrangement of the original 'At Doom's Gate'.Ĭontains arranged themes from 'The Imp's song'Ĭontains arranged themes from 'Sign of Evil' and 'DOOM (Doom 2)'. Dark ambience punctuates the rock, used in particular as backing to the narration sequences. The soundtrack is primarily composed of digitally synthesized progressive metal processed extensively with analog effects, variously described as falling within the sub-genres of post-industrial, dark synth-rock, glitch music, and djent. Additional sound design was created by Richard Devine.

Aside from arrangements of the original in-game music as it was composed by Mick Gordon, one track is remixed by Doom's audio designer Chad Mossholder, and one new track composed by Chris Hite, Doom's audio director. It features 31 tracks with a total play time of 128 minutes, and consists of three distinct chapters and a final track. An official soundtrack publication for Doom (2016), entitled Doom (Original Game Soundtrack), was released by Bethesda on September 28, 2016.

Doom theme